Frontier Poetry is challenging you to write and submit something a little different this fall. We want your best hermit crab poem. What in the world is a hermit crab poem, you ask? Well, it’s a poem that takes the form of an already existing form. Think recipes, glossaries, indexes, tests, table of contents, et cetera. How can you transform something that already exists and make it poetically charged, impactful, and evocative?
Here’s an excerpt from an example, “Index” by Paul Violi:
Hudney, Sutej IX, X, XI, 7, 9, 25, 58, 60, 61, 64
Plates 5,10, 15
Childhood 70, 71
Education 78, 79, 80
Early relationship with family 84
Enters academy, honors 84
Arrest and bewilderment 85
Formation of spatial theories 90
“Romance of Ardoy, The” 92
Second arrest 93
Early voyages, life in the Pyrenees 95
Marriage 95 [...]
Violi has clearly taken the form of an actual index you would find in a book and turned it into a poem, utilizing page numbers and everything. However, instead of using the expected alphabetical order, Violi uses a creative chronological order, with page numbers as indicators of time. Learn more about Violi’s writing process for this hermit crab poem here.
Or take a look at another example excerpt from Charles Jensen’s limited collection, Story Problems, a book of poems that are set in the style of a reading comprehension exam:
I never envied my mother more than when I saw her liberated from her own expectations, when she was terminal. I remember as a child thinking she was perfect, then thinking she was flawed when I’d grown out of it. I sprained my ankle when I was three—how is not important. But for weeks after she had to carry me everywhere, plopped on her hip. I was a miserable kid. I think that’s why we loved each other.
Quiz on this section:
What is your earliest memory of physical injury?
If you could be any animal, living or extinct, what would it be and why?
Why is the narrator thinking of his childhood in this passage?
Why does regret taste like vinegar?
For this challenge, we may be focusing on the innovative nature of your poetry taking on an already existing form, but we are still seeking substance, emotion, and truth. That being said, there is no specific theme or subject requirements for this challenge—the sole focus is on the preexisting form and how you can make it poetry.
If you have any questions, please visit our FAQ page first. If you don’t find the answer to your question, you can send an email to contact (at) frontierpoetry (dot) com.
We do not hold preference for any particular style or topic—we simply seek the best poems we can find. Send us work that is blister, that is color, that strikes hot the urge to live and be. For a sense of what we are looking for, read through our previously published poems or What We Look For. We warmly and sincerely invite all voices, and especially those that have been historically marginalized and silenced to submit work.
We also encourage you to submit your poetry for free to our New Voices, open year-round. We pay our emerging NV poets $50 per poem, published every Friday. New Voices is the beating heart of Frontier, and we hope to read your work soon. Thank you so much for supporting the community of new and emerging poets.