Sallie Fullerton glides her words into the readers body, that the thing of flesh may be escaped, walked away from. “Four times over” is more than an exploration of what the body is for—the poem interrogates what the body is,…
Susan Yanos was selected last year as our Frontier Fellow—she is a wonderfully insightful writer and represents a voice and perspective not heard enough in our shared creative spaces. We proudly publish this essay of hers, on the inclusion and…
The truth of the apocalypse is that our language will die with us—what if words, this dark future asks, are neither immortal nor inevitable? Margaret Ray here explores the edges of this question with both the awe and fear that…
Originally published in 2017, this essay from our editor examines the previous year’s hit collections, Night Sky with Exit Wounds by Ocean Vuong, and Portrait of an Alcoholic by Kaveh Akbar—and we’re so excited that both Kaveh and Ocean will be helping to…
This “letter to the editor” struggles earnestly to say what it can’t and not what it does—to not talk about race, or tribe, or ethnicity is still to talk about it. tokorima, a Master Artisan in the Art of Māori Carving,…
Due to popular request, we have decided to open up the Antioch-Frontier Fellowship Prize to any poet (with or without an MFA), and to keep the contest running until February 28th. Thank you to everyone! Don’t miss out on this…
New month, new courage: submit yourself to these fellowships, magazines, awards and internships. Remember, too, acceptances and rejections are by-products of this journey—crafting your authentic art is the goal. And as always, submit poetry for free to our New Voices.…
“You Smell Like Outside” is Luther Hughes’ wonderful column for Frontier where he seeks to answer the question every month: can poetry help us with our real, day-to-day life? For January, Lue’s after some insight into love from the work…
What is need? What is loneliness? Marlin Figgins investigates, discovering unexpected images and new questions along the journey: see his world of muddy bellies, his moon dangling tethers of want like arms of a jellyfish. “If What I’m Told is…
Loves You is “simply Gambito’s finest work yet,” Aimee Nezhukumatathil says, “a remarkable folksong and jubilee of the heart—and stomach.” The book brims with family as Sarah Gambito turns unique American struggle into song. We’re honored to have the chance to…
