Translated from the Uyghur by Joshua Freeman, this poem speaks of God as the best poetry will—where no lecture is being made, or point argued, or overly sentimental gushing, but simply it lays bare a human heart in the context…
The most radical poem a poet can write today is a sonnet.” — Barton Sutter Often, we’re blocked from learning poetry deeply by the very real barriers of cost and time, especially those of us who cannot afford the MFA…
These two poems brim with a voice of grandfatherly confidence. There’s humor, there’s wisdom, there’s humility. Wade C. Bentley, an emerging poet later in his life, reminds us that poetry is more than trauma or broken hearts or heroic deeds—poetry…
We are so excited to announce that our 2017 Poetry Award for emerging poets is now accepting submissions! Tyehimba Jess will judge the contest $2000 Award Under represented voices encouraged to submit For guidelines and submission info click here.
With this poem, LaGrone gives us a special gift: a reminder of the beauty of language found at work. “Air Rathchet & Forklift” twists and squeals and cuts the tongue on sounds we tend to forget the magic of—what else…
Another month of summer, another month of opportunities. Guernica Guernica is one of those rare magazines that does a dozen different things right. We have seen so many great emerging authors sharpen their teeth on this site. Only one submission…
Breathless and rolling, “Although You Felt So Close, (Within Splashes)” presses with momentum at every line. The poem lands at a breakneck intimacy that’s surprising and comfortable, and Adrian Cepeda carries his reader with fluid motion, puts their feet on…
The poetic gestures of “Burning Haibun” are simple, genuine, and surprising. As soon as we read the prose-poem section, we knew this was going to be accepted—but then, as we read the erasure, we got so excited to share it that…
Here’s a short collection of some of the best new poems hitting online journals. Enjoy! “What Use Is Knowing Anything If No One Is Around” by Kaveh Akbar in The New Yorker “There has always been a swarm/ of hungry…
Mai Der Vang stands out as a poet of stunning & lurid language. These two new poems exemplify the work displayed in her debut collection, Afterland (Graywolf Press 2017)—the geographies of grief & the bare evidence of spiritual truth. Vang, with linguistic dexterity,…
